Brutality Garden Warsaw, Poland
Welcome to Brutality Garden. Art of the peripheries. On the edge of capitalism. Molecular music label. Konk factory. Inquieries/booking: acphale@gmail.com
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supported by 15 fans who also own “Fora”
This is--it's almost rock, almost prog, and in the middle of the 3 longer pieces almost experimental. It reminds me strongly of some of the material on LAM, as well as being rhythmically similar to Saagara 2. If you know of Zimpel only through his free jazz material, this will surprise you. Except for the middle parts of the 3 longer works, he's buried in the mix, with Ziolek taking center stage. This actually works rather well, IMO.
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supported by 13 fans who also own “Fora”
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supported by 12 fans who also own “Fora”
The first track is a bit of an outlier, perhaps connecting back to earlier albums where jazz foundations lead the way, before going all out berserk with the beats, beats, and beats. Bass and electronics are now the mainstays over the hip-hop influenced rhythms. But the horns are still layered back in with style. I initially passed this over, but the Szlam / Ścieki tracks blew my socks off and in desperation for more, I was led back to this. I can't wait to see where Błoto go next.
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On her remarkable debut album, Isabelle Thorn winds together electronic noises with acoustic reverberations.
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El Teatro Esta Cerrado (The Theater is Closed)
by Various Artists
Curious listeners shouldn't this compilation from Dead Currencies, featuring great avant- musics of all stripes (folk, jazz, punk, etc.)
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Improviser and composer Lara Alarcón has created an experimental opus rife with moments of wildly free jazz and lovely melodic passages.
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supported by 8 fans who also own “Fora”
I had a pleasure to hear Lonker See live yesterday, and they did it right. Smooth post-rock core with sax and flute and long distance travels.
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